But “Parallel Mothers,” while it keeps us hooked on what’s happening with a showman’s finesse, is not a comedy. Hearing that, you might imagine that it’s a movie of high comedy as well - a giddy and ironic Almodóvarian stew of maternal diva melodrama. Almodóvar’s “ Parallel Mothers,” which opened the 78th Venice Film Festival, tells the story of two women, both single mothers, who give birth to baby daughters at virtually the same moment (they’re roommates on a maternity ward in Madrid), and it’s a film of cascading twists and turns, of thickening complication, of high family drama. I have often described his aesthetic, especially back in his bad-boy days, as Telemundo on peyote. Among the multiple pop sources and forms that Pedro Almodóvar has always poured, like some slightly mad chef, into his movies, one that looms particularly large is the soap opera.
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